Jupiter

Follow thy Fortune, careless where it lead thee. The axle moveth not: attain thou that.

Change of fortune. (This generally means good fortune because the fact of consultation implies anxiety or discontent.)

The Root of Air

The Ace of Swords is the primordial Energy of Air, the Essence of the Vau of Tetragrammaton, the integration of the Ruach. Air is the result of the conjunction of Fire and Water; thus it lacks the purity of its superiors in the male hierarchy, Fire, Sol and the Phallus. But for this same reason it is the first card directly to be apprehended by the normal consciousness of Mankind.

In nature, the obvious symbol of Air is the Wind "which bloweth whithersoever it listeth". It lacks the concentrated Will of Fire to unite with Water: it has no corresponding passion for its Twin Element, Earth. There is indeed, a notable passivity in its nature; evidently, it has no self-generated impulse. But, set in motion by its Father and Mother, its power is manifestly terrific. It visibly attacks its objective, as they, being of subtler and more tenuous character, can never do. Its "all-embracing, all-wandering, all-penetrating, all-consuming" qualities have been described by many admirable writers, and its analogies are for the most part patent to quite ordinary observers.

Mercury in Aquarius - Science

Tiphareth shows the full establishment and balance of the idea of the suit. This is particularly the case with this card, as the intellect itself is also referred to the number Six. Mercury, in Aquarius, represents the celestial Energy influencing the Kerub of the Man, thus showing intelligence and humanity.

But there is much more than this in the symbol. The perfect balance of all mental and moral faculties, hardly won, and almost impossible to hold in an ever-changing world, declares the idea of Science in its fullest interpretation.

The hilts of the Swords, which are very ornamental, are in the form of the hexagram. Their points touch the outer petals of a red rose upon a golden cross of six squares, thus showing the Rosy Cross as the central secret of scientific truth.

Venus in Aries - Completion

This card refers to Chesed in the suit of Fire. Being below the Abyss, it is the Lord of all manifested active Power. The original Will of the Two has been transmitted through the Three, and is now built up into a solid system: Order, Law, Government. It is also referred to Venus in Aries, which indicates that one cannot establish one's work without tact and gentleness. The wands are headed by the Ram, sacred to Chesed, the Father-god Amoun-Ra, as also to Aries; but at the other end of the wands are the Doves of Venus.

In the symbol, the ends of the wands touch a circle, showing the completion and limitation of the original work. It is within this circle that the flames (four double, as if to assert the balance) of the Energy are seen to play, and there is no intention to increase the scope of the original Will.

Leo

Mitigate Energy with Love; but let Love devour all things. Worship the name _______, foursquare, mystic, wonderful, and the name of His House 418.

Courage, strength, energy and action, une grande passion; resort to magick, the use of magical power.

Aquarius

This card represents the airy part of Air. This chariot is drawn by winged children, looking and leaping irresponsibly in any direction that takes their fancy; they are not reined, but perfectly Capricious. The chariot consequently is easy enough to move, but quite unable to progress in any definite direction except by accident. This is a perfect picture of the Mind.

The operation of his logical mental processes have reduced the Air, which is his element, to many diverse geometrical patterns, but in these there is no real plan; they are demonstrations of the powers of the Mind without definite purpose. In his right hand is a lifted sword wherewith to create, but in his left hand a sickle, so that what he creates he instantly destroys. A person thus symbolized is purely intellectual. He is full of ideas and designs which tumble over each other. He is a mass of fine ideals unrelated to practical effort. He has all the apparatus of Thought in the highest degree, intensely clever, admirably rational, but unstable of purpose, and in reality indifferent even to his own ideas, as knowing that any one of them is just as good as any other. He reduces everything to unreality by removing its substance and transmuting it to an ideal world of ratiocination which is purely formal and out of relation to any facts, even those upon which it is based.

The Princess of Swords represents the earthy part of Air, the fixation of the volatile. She brings about the materialization of Idea. She represents the influence of Heaven upon Earth. She represents to some extent the anger of the Gods, and she appears helmed, with serpent-haired Medusa for her crest. She stands in front of a barren altar as if to avenge its profanation, and she stabs downward with her sword. The heaven and the clouds, which are her home, seem angry.

The character of the Princess is stern and revengeful. Her logic is destructive. She is firm and aggressive, with great practical wisdom and subtlety in material things. She shews great cleverness and dexterity in the management of practical affairs, especially where they are of a controversial nature. She is very adroit in the settlement of controversies.