The Golden Dawn or Thoth Method
Difficulty: Complicated
Note: Decks that use reversed cards such as the Rider-Waite do not work well with this spread, which was designed to be read using elemental dignities.
The Golden Dawn spread is best suited for use with the bifrost Tarot and especially the Book of Thoth, as these decks are meant to be read a certain way with the Court cards. Princes and Queens represent actual men and women connected with the matter, while Princesses generally represent ideas; thoughts or opinions, and Knights represent arrival or departure of a matter depending on the direction faced.
In this spread, particular attention should be payed to a card’s exact position in relation to its neighbors. Whether the neighbor cards bear the same energy (suit) determines whether a card is considered well- or ill-dignified. Opposite suits ill-dignify each other, while other suits are considered friendly. Cards of the same suit strengthen each other.
As with other spreads, it is important to count the cards’ tendencies, such as whether there is a lot of one particular suit or number pattern. The patterns will reveal special messages. Lots of Majors indicates higher forces at work, lots of cups suggest strong emotions, etc.
Card #1 represents the querent and the nature of the topic at hand.
Cards #2 & #3 are used in conjunction with #1 to further comprehend the nature of the topic.
Your Golden Dawn Reading with the Thoth Tarot
| The Alternate Path (or Extension of Current Path) |
Your Current Path |
|||||
 The Emperor |
 2 of Cups |
 Art |
 7 of Disks |
 2 of Swords |
 2 of Disks |
|
| The Querent | ||||||
 8 of Cups |
 Queen of Cups |
 7 of Wands |
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| The Psychological Basis | Karma | |||||
 2 of Wands |
 5 of Swords |
 Princess of Cups |
 Ace of Disks |
 The Tower |
 Prince of Swords |
|
This spread is set up to read a certain way with the Court cards. Princes and Queens represent actual men and women connected with the matter, while Princesses generally represent ideas; thoughts or opinions, and Knights represent arrival or departure of a matter depending on the direction faced.
In this spread particular attention should be payed to a card's exact position in relation to its neighbors. Whether the neighbor cards bear the same energy (suit) determines whether a card is considered well- or ill-dignified. Opposite suits ill-dignify each other, while other suits are considered friendly. Cards of the same suit strengthen each other.
Also it is important to count the cards' tendencies, such as whether there is a lot of one particular suit or number pattern. Patterns reveal special messages. Lots of trumps means higher forces at work, lots of cups means strong emotions, etc.
The Querent
cards represent the querent and the nature of the topic at hand. The first card (in the center of the spread) represents the very core of the matter, and the other two cards around it are added to it in order to further comprehend the nature of the topic.
Cancer
The Queen of Cups represents the watery part of Water, its power of reception and reflection. She reflects the nature of the observer in great perfection. She is represented as enthroned upon still water. In her hand she bears a shell-like cup, from which issues a crayfish, and she bears also the Lotus of Isis, of the Great Mother. She is robed in, and veiled by, endless curves of light, and the sea upon which she is enthroned conveys the almost unbroken images of the image which she represents.
The characteristics associated with this card are principally dreaminess, illusion and tranquillity. She is the perfect agent and patient, able to receive and transmit everything without herself being affected thereby. If ill-dignified, all these qualities are degraded. Everything that passes through her is refracted and distorted. But, speaking generally, her characteristics depend mostly upon the influences which affect her.
Saturn in Pisces – Indolence
Lotuses droop for lack of sun and rain, and the soil is poison to them; only two of the stems show blossoms at all. The cups are shallow, old and broken. They are arranged in three rows; of these the upper row of three is quite empty. Water trickles from the two flowers into the two central cups, and they drip into the two lowest without filling them. The background of the card shows pools, or lagoons, in very extensive country, incapable of cultivation; only disease and miasma tic poison can flourish in those vast Bad Lands. The water is dark and muddy. On the horizon is a pallid, yellowish light, weighed down by leaden clouds of indigo.
Mars in Leo – Valour
This card derives from Netzach (Victory) in the suit of Fire. But the Seven is a weak, earthy, feminine number as regards the Tree of Life, and represents a departure from the balance so low down on the Tree that this implies a loss of confidence.
Fortunately, the card is also attributed to Mars in Leo. The army has been thrown into disorder; if victory is to be won, it will be by dint of individual valour – a 'soldiers' battle'.
Your Current Path
cards represent your current path as it would unfold naturally. These cards are read in chronological order from left to right.
Saturn in Taurus – Failure
The number Seven, Netzach, has its customary enfeebling effect, and this is made worse by the influence of Saturn in Taurus. The disks are arranged in the shape of the geomantic figure Rubeus, the ugliest and most menacing of the Sixteen. The atmosphere of the card is that of Blight. On the background, which represents vegetation and cultivation, everything is spoiled. The four colours of Netzach appear, but they are blotched with angry indigo and reddish orange. The disks themselves are the leaden disks of Saturn. They suggest bad money.
Moon in Libra – Peace
The Moon is change, but Nature is peaceful; moreover, Libra represents balance; between them, they regulate the energy of the Swords.
In the card appear two swords crossed; they are united by a blue rose with five petals. This rose represents the influence of the Mother, whose harmonising influence compounds the latent antagonism native to the suit. The Rose emits white rays, producing a geometrical pattern that emphasises the equilibrium of the symbol.
Jupiter in Capricorn – Change
The number Two, Chokmah, here rules in the suit pertaining to Earth. It shows the type of Energy appropriate to Two, in its most fixed form. According to the doctrine that Change is the support of stability, the card is called Change.
The card represents two Pantacles, one above the other; they are the Chinese symbols of the Yang and Yin duplicated as in the Hsiang. One wheel is dextro- and the other laevo-rotatory. They thus represent the harmonious interplay of the Four Elements in constant movement. One may in fact consider the card as the picture of the complete manifested Universe, in respect of its dynamics.
The Alternate Path
cards represent the alternate path that you could choose to take in lieu of the Current Path. However, if the cards that come up seem to indicate that they go along with the Current Path, these three cards should be interpretted not as an Alternate Path, but as a chronological extension of the Current Path (also read from left to right).
Aries
War, conquest, victory, strife, ambition, originality, over-weening confidence and megalomania, quarrelsomeness, energy, vigour, stubbornness, impracticability, rashness, ill- temper.
Venus in Cancer – Love
The Two always represents the Word and the Will. It is the first manifestation. Therefore, in the suit of Water, it must refer to Love, which recovers unity from dividuality by mutual annihilation. The card also refers to Venus in Cancer. Cancer is, more than any other, the receptive Sign; it is the House of the Moon, and in that Sign Jupiter is exalted. These are, superficially, the three most friendly of the planets.
The hieroglyph of the card represents two cups in the foreground, overflowing upon a calm sea. They are fed with lucent water from a lotus floating upon the sea, from which rises another lotus around whose stem are entwined twin dolphins.
The number Two referring to Will, this card might really be renamed the Lord of Love under Will, for that is its full and true meaning. It shows the harmony of the male and the female: interpreted in the largest sense. It is perfect and placid harmony, radiating an intensity of joy and ecstasy.
Sagittarius
Combination of forces, realisation, action based on accurate calculation; the way of escape, success after elaborate manoeuvres.
The Psychological Basis
cards shed light upon the psychological undertones of the current problem.
Mars in Aries – Dominion
This card, pertaining to Chokmah in the suit of Fire, represents the Will in its most exalted form. It is an ideal Will, independent of any given object.
'For pure will, unassuaged of purpose, delivered from the lust of result, is every way perfect'. AL. 1. 44.
The background of this card shows the power of the planet Mars in his own sign Aries, the first of the Signs. It there represents Energy initiating a Current of Force. The pictorial representation is two Dorjes crossed. The Dorje is the Tibetan symbol of the thunderbolt, the emblem of celestial Power, but more in its destructive than its creative form. More, that is, in its earlier rather than its later form. For destruction may be regarded as the first step in the creative process. The virgin ovum must be broken in order to fertilise it. Fear and repulsion are therefore the primary reaction to the assault. Then, with understanding of the complete plan, willing surrender rejoices to co-operate. Six flames issue from the centre. This indicates the influence of the Sun, who is exalted in Aries. This is the creative Will.
Venus in Aquarius – Defeat
The intellect has been enfeebled by sentiment. The defeat is due to pacifism. Treachery also may be implied.
The hilts of the swords form the inverted pentagram, always a symbol of somewhat sinister tendency. Here matters are even worse; none of the hilts resembles any of the others, and their blades are crooked or broken. They give the impression of drooping; only the lowest of the swords points upwards, and this is the least effective of the weapons. The rose of the previous card has been altogether disintegrated.
The Princess of Cups represents the earthy part of Water; in particular, the faculty of crystallisation. She represents the power of Water to give substance to idea, to support life, and to form the basis of chemical combination. She is represented as a dancing figure, robed in a flowing garment on whose edges crystals are seen to form.
For her crest she wears a swan with open wings. The symbolism of this swan reminds one of the swan in oriental philosophy which is the word AUM or AUMGN, which is the symbol of the entire process of creation. She bears a covered cup from which issues a tortoise. This is again the tortoise which in Hindu philosophy supports the elephant on whose back is the Universe. She is dancing upon a foaming sea in which disports himself a dolphin, the royal fish, which symbolises the power of Creation. The character of the Princess is infinitely gracious. All sweetness, all voluptuousness, gentleness, kindness and tenderness are in her character. She lives in the world of Romance, in the perpetual dream of rapture. On a superficial examination she might be thought selfish and indolent, but this is a quite false impression; silently and effortlessly she goes about her work.
Karma
These cards represent the influences of karma and destiny that are beyond your control. They suggest adapting to this fate.
The Root of Earth
The Ace of Disks pictures the entry of that type of Energy which is called Earth. About this whirling Disk are its six Wings; the entire symbol is not only a glyph of Earth as understood in this New Aeon of Horus, but of the number 6, the number of the Sun. This card is thus an affirmation of the identity of Sol and Terra.
Mars
Quarrel, combat, danger, ruin, destruction of plans, sudden death, escape from prison.
Aquarius
This card represents the airy part of Air. This chariot is drawn by winged children, looking and leaping irresponsibly in any direction that takes their fancy; they are not reined, but perfectly Capricious. The chariot consequently is easy enough to move, but quite unable to progress in any definite direction except by accident. This is a perfect picture of the Mind.
The operation of his logical mental processes has reduced the Air, which is his element, to many diverse geometrical patterns, but in these there is no real plan; they are demonstrations of the powers of the Mind without definite purpose. In his right hand is a lifted sword wherewith to create, but in his left hand a sickle, so that what he creates he instantly destroys. A person thus symbolised is purely intellectual. He is full of ideas and designs which tumble over each other. He is a mass of fine ideals unrelated to practical effort. He has all the apparatus of Thought in the highest degree, intensely clever, admirably rational, but unstable of purpose, and in reality indifferent even to his own ideas, as knowing that any one of them is just as good as any other. He reduces everything to unreality by removing its substance and transmuting it to an ideal world of ratiocination which is purely formal and out of relation to any facts, even those upon which it is based.
