The Golden Dawn or Thoth Method
Difficulty: Complicated
Note: Decks that use reversed cards such as the Rider-Waite do not work well with this spread, which was designed to be read using elemental dignities.
The Golden Dawn spread is best suited for use with the bifrost Tarot and especially the Book of Thoth, as these decks are meant to be read a certain way with the Court cards. Princes and Queens represent actual men and women connected with the matter, while Princesses generally represent ideas; thoughts or opinions, and Knights represent arrival or departure of a matter depending on the direction faced.
In this spread, particular attention should be payed to a card’s exact position in relation to its neighbors. Whether the neighbor cards bear the same energy (suit) determines whether a card is considered well- or ill-dignified. Opposite suits ill-dignify each other, while other suits are considered friendly. Cards of the same suit strengthen each other.
As with other spreads, it is important to count the cards’ tendencies, such as whether there is a lot of one particular suit or number pattern. The patterns will reveal special messages. Lots of Majors indicates higher forces at work, lots of cups suggest strong emotions, etc.
Card #1 represents the querent and the nature of the topic at hand.
Cards #2 & #3 are used in conjunction with #1 to further comprehend the nature of the topic.
Your Golden Dawn Reading with the Thoth Tarot
| The Alternate Path (or Extension of Current Path) |
Your Current Path |
|||||
 5 of Disks |
 2 of Cups |
 4 of Cups |
 Death |
 10 of Cups |
 6 of Disks |
|
| The Querent | ||||||
 2 of Swords |
 10 of Disks |
 Adjustment |
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| The Psychological Basis | Karma | |||||
 10 of Swords |
 Princess of Cups |
 4 of Swords |
 Knight of Wands |
 3 of Disks |
 Ace of Swords |
|
This spread is set up to read a certain way with the Court cards. Princes and Queens represent actual men and women connected with the matter, while Princesses generally represent ideas; thoughts or opinions, and Knights represent arrival or departure of a matter depending on the direction faced.
In this spread particular attention should be payed to a card's exact position in relation to its neighbors. Whether the neighbor cards bear the same energy (suit) determines whether a card is considered well- or ill-dignified. Opposite suits ill-dignify each other, while other suits are considered friendly. Cards of the same suit strengthen each other.
Also it is important to count the cards' tendencies, such as whether there is a lot of one particular suit or number pattern. Patterns reveal special messages. Lots of trumps means higher forces at work, lots of cups means strong emotions, etc.
The Querent
cards represent the querent and the nature of the topic at hand. The first card (in the center of the spread) represents the very core of the matter, and the other two cards around it are added to it in order to further comprehend the nature of the topic.
Mercury in Virgo – Wealth
Mercury rules this card in Virgo; and this may imply that the acquired wealth, being inert, will be dissipated unless put to further use by devoting its power to objects other than mere accumulation. The disks, or (as they have now become) coins, are arranged on the Tree of Life, but the Tenth coin is much larger than the rest; the image indicates the futility of material gain.
These disks are inscribed with various symbols of mercurial character except that the coin in the place of Hod (Mercury) on the Tree is marked with the cipher of the Sun.
Moon in Libra – Peace
The Moon is change, but Nature is peaceful; moreover, Libra represents balance; between them, they regulate the energy of the Swords.
In the card appear two swords crossed; they are united by a blue rose with five petals. This rose represents the influence of the Mother, whose harmonising influence compounds the latent antagonism native to the suit. The Rose emits white rays, producing a geometrical pattern that emphasises the equilibrium of the symbol.
Libra
Justice, or rather justesse, the act of adjustment, suspension of all action pending decision; in material matters, may refer to law suits or prosecutions. Socially, marriage or marriage agreements; politically, treaties.
Your Current Path
cards represent your current path as it would unfold naturally. These cards are read in chronological order from left to right.
Scorpio
Transformation, change, voluntary or involuntary, in either case logical development of existing conditions, yet perhaps sudden and unexpected. Apparent death or destruction, but such interpretation is illusion.
Mars in Pisces – Satiety
This card represents a conflicting element. On the one hand, it receives the influence of the Ten, Malkah the Virgin. The arrangement of the cups is that of the Tree of Life. But, on the other hand, they are themselves unstable. They are tilted; they spill the water from the great Lotus which overhangs the whole system from one into the other. The work proper to water is complete: and disturbance is due.
Moon in Taurus – Success
The Number Six, Tiphareth, as before, represents the full harmonious establishment of the Energy of the Element. The Moon in Taurus rules the card; and this, while increasing the approach to perfection (for the Moon is exalted in Taurus and therefore in her highest form) marks that the condition is transient.
The disks are arranged in the form of the Hexagram, which is shown in skeleton. In the centre blushes and glows the light rose- madder of dawn, and without are three concentric circles, golden yellow, salmon-pink, and amber. These colours show Tiphareth fully realised on Earth; it reaffirms in form what was mathematically set forth in describing the Ace. The planets are arranged in accordance with their usual attribution; but they are only shown as disks irradiated by the Sun in their centre. This Sun is idolised as the Rose and Cross; the Rose has forty-nine petals, the interplay of the Seven with the Seven.
The Alternate Path
cards represent the alternate path that you could choose to take in lieu of the Current Path. However, if the cards that come up seem to indicate that they go along with the Current Path, these three cards should be interpretted not as an Alternate Path, but as a chronological extension of the Current Path (also read from left to right).
Mercury in Taurus – Worry
The Number Five, Geburah, in the suit of Earth, shows the disruption of the Elements, just as in the other suits. This is emphasised by the rule of Mercury in Taurus, types of energy which are opposed. It needs a very powerful Mercury to upset Taurus; so, the natural meaning is Intelligence applied to Labour.
The symbol represents five disks in the form of the inverted Pentagram, instability in the very foundations of Matter. The effect is that of an earthquake. They are, however, representative of the five Tattvas; these hold together, on a very low plane, an organism which would otherwise disrupt completely. The background is an angry, ugly red with yellow markings. The general effect is one of intense strain; yet the symbol implies long-continued inaction.
Venus in Cancer – Love
The Two always represents the Word and the Will. It is the first manifestation. Therefore, in the suit of Water, it must refer to Love, which recovers unity from dividuality by mutual annihilation. The card also refers to Venus in Cancer. Cancer is, more than any other, the receptive Sign; it is the House of the Moon, and in that Sign Jupiter is exalted. These are, superficially, the three most friendly of the planets.
The hieroglyph of the card represents two cups in the foreground, overflowing upon a calm sea. They are fed with lucent water from a lotus floating upon the sea, from which rises another lotus around whose stem are entwined twin dolphins.
The number Two referring to Will, this card might really be renamed the Lord of Love under Will, for that is its full and true meaning. It shows the harmony of the male and the female: interpreted in the largest sense. It is perfect and placid harmony, radiating an intensity of joy and ecstasy.
Moon in Cancer – Luxury
This card refers to Chesed in the sphere of Water. Here, below the Abyss, the energy of this element, although ordered, balanced and (for the moment) stabilised, has lost the original purity of the conception. The card refers to the Moon in Cancer, which is her own house; but Cancer itself is so placed that this implies a certain weakness, an abandonment to desire. This tends to introduce the seeds of decay into the fruit of pleasure.
The sea is still shown, but its surface is ruffled, and the four Cups which stand upon it are no longer so stable. The Lotus from which the water Springs has a multiple stem, as if to show that the influence of the Dyad has gathered strength.
The Psychological Basis
cards shed light upon the psychological undertones of the current problem.
Sun in Gemini – Ruin
The number Ten, Malkuth, as always, represents the culmination of the unmitigated energy of the idea. It shows reason run mad, ramshackle riot of soulless mechanism; it represents the logic of lunatics and (for the most part) of philosophers. It is reason divorced from reality.
The card is also ruled by the Sun in Gemini, but the mercurial airy quality of the Sign serves to disperse his rays; this card shows the disruption and disorder of harmonious and stable energy.
The hilts of the Swords occupy the positions of the Sephiroth, but the points One to Five and Seven to Nine touch and shatter the central Sword (six) which represents the Sun, the Heart, the child of Chokmah and Binah. The tenth Sword is also in splinters. It is the ruin of the Intellect, and even of all mental and moral qualities.
The Princess of Cups represents the earthy part of Water; in particular, the faculty of crystallisation. She represents the power of Water to give substance to idea, to support life, and to form the basis of chemical combination. She is represented as a dancing figure, robed in a flowing garment on whose edges crystals are seen to form.
For her crest she wears a swan with open wings. The symbolism of this swan reminds one of the swan in oriental philosophy which is the word AUM or AUMGN, which is the symbol of the entire process of creation. She bears a covered cup from which issues a tortoise. This is again the tortoise which in Hindu philosophy supports the elephant on whose back is the Universe. She is dancing upon a foaming sea in which disports himself a dolphin, the royal fish, which symbolises the power of Creation. The character of the Princess is infinitely gracious. All sweetness, all voluptuousness, gentleness, kindness and tenderness are in her character. She lives in the world of Romance, in the perpetual dream of rapture. On a superficial examination she might be thought selfish and indolent, but this is a quite false impression; silently and effortlessly she goes about her work.
Jupiter in Libra – Truce
Chesed refers to Jupiter who rules in Libra in this decanate. The sum of these symbols is therefore without opposition; hence the card proclaims the idea of authority in the intellectual world. It is the establishment of dogma, and law concerning it. It represents a refuge from mental chaos, chosen in an arbitrary manner. It argues for convention.
The hilts of the four Swords are at the corner of a St. Andrew's cross. Their shape suggests fixation and rigidity. Their points are sheathed – in a rather large rose of forty-nine petals representing social harmony. Here, too, is compromise.
Minds too indolent or too cowardly to think out their own problems hail joyfully this policy of appeasement. As always, the Four is the term; as in this case there is no true justification for repose, its disturbance by the Five holds no promise of advance; its static shams go pell-mell into the melting-pot; the issue is mere mess, usually signalised by foetid stench. But it has to be done!
Karma
These cards represent the influences of karma and destiny that are beyond your control. They suggest adapting to this fate.
Sagittarius
The Knight of Wands represents the fiery part of Fire. He is a warrior in complete armour. On his helmet for a crest, he wears a black horse. In his hand he bears a flaming torch; a flame also in his mantle; and upon the flames does he ride. His steed is a black horse leaping.
The moral qualities appropriate to this figure are activity, generosity, fierceness, impetuosity, pride, impulsiveness, swiftness in unpredictable actions. If wrongly energised, he is evil-minded, cruel, bigoted and brutal. He is in either case ill-fitted to carry on his action; he has no means of modifying it according to circumstances. If he fails in his first effort, he has no recourse.
Mars in Capricorn – Works
The influence of Binah in the sphere of Earth shows the material establishment of the idea of the Universe, the determination of its basic form. It is ruled by Mars in Capricornus; he is exalted in that Sign, and therefore at his best. His energy is constructive, like that of the builder or engineer. The card represents a pyramid viewed from above the apex.
This pyramid is situated in the great Sea of Binah in the Night of Time, but the sea is solidified; hence the colours of the background are mottled, a cold thin dark grey with a pattern of indigo and green. The sides of the pyramid have a strong reddish tint, showing the influence of Mars.
The Root of Air
The Ace of Swords is the primordial Energy of Air, the Essence of the Vau of Tetragrammaton, the integration of the Ruach. Air is the result of the conjunction of Fire and Water; thus, it lacks the purity of its superiors in the male hierarchy, Fire, Sol and the Phallus. But for this same reason it is the first card directly to be apprehended by the normal consciousness of Mankind.
In nature, the obvious symbol of Air is the Wind 'which bloweth whithersoever it listeth'. It lacks the concentrated Will of Fire to unite with Water: it has no corresponding passion for its Twin Element, Earth. There is indeed, a notable passivity in its nature; evidently, it has no self-generated impulse. But, set in motion by its Father and Mother, its power is manifestly terrific. It visibly attacks its objective, as they, being of subtler and more tenuous character, can never do. Its 'all-embracing, all-wandering, all-penetrating, all-consuming' qualities have been described by many admirable writers, and its analogies are for the most part patent to quite ordinary observers.
